Stripped Away I

NOT AVAILABLE

Patrick Bongoy

Medium:

Mixed Media

Hessian,  Recycled Rubber, Acrylic and Thread

Dimensions:

120cm x 80cm

Enquire

More Artwork by Patrick Bongoy

ShowView
Bongoy Patrick -, Gravity, Mixed Media, Woven Recycled Rubber, 2019, -, 160x120x-

Gravity

ShowView
Bongoy Patrick WOVEN II, Mixed Media, Woven Recycled Rubber, 82 x 116, Dims Variable on install, 2017 HR

Woven II

ShowView
Patrick B Sapped II

Sapped II (SOLD)

ShowView
Sapped I

Sapped I

ShowView
Bongoy-Patrick-Lot-271-Patrick-Bongoy-Recycled-Rubber-on-Board-102cm-x-102cm-x-15cm-2018

Lot 271 (SOLD)

ShowView
Bongoy-Patrick-Lot-154-Recycled-Rubber-on-Board-101cm-x-101cm-x-10cm-2018

Lot 154 (SOLD)

ShowView
Bongoy-Patrick-‘Lot-37’-Recycled-Rubber-on-Board-103cm-x-103cm-x-15cm2018

Lot 37 (SOLD)

ShowView
Bongoy-Patrick-Season-

Season (SOLD)

ShowView
Bongoy-Patrick-Phoenix

Phoenix (SOLD)

ShowView
Bongoy Patrick Graft 260 x 150 Mixed Media, Woven Recycled Rubber 2018

Graft

ABOUT PATRICK BONGOY

Patrick Bongoy was born in Kinshasa in the Democratic Republic of Congo and studied at the Academy of Fine Arts. He currently lives and works in Cape Town.

The textured surfaces on which Bongoy works are the product of a painstaking process of cutting and weaving together strips of hessian and rubber. This technique, as well as the additional sculpted layers of fabric that he adds on top, reference some of the many laborious tasks undertaken by women in the DRC in order to make ends meet. Yet the painted figures and life size sculptures hum with a sense of discord, rather than hard labour. These figures with their distorted limbs become symbols of the moral corruption that slinks it way through the postcolonial DRC. Bongoy’s figures writhe over his textured canvases evoking a sense of disjointed or uncontrolled movement as if controlled by an unknown puppeteer. His figures look as if their bodies are frozen in mid-performance of a dubious act over which their mind no longer has control. However, rather than being sternly didactic, Bongoy’s works tell sad narratives that focus on the most vulnerable members of society and how they are often exploited by those in power.

“My work speaks in response to the global reality of literal and figurative environmental pollution. This encompasses the entire spectrum from the erosion of economic viability for people, sociocultural decay impacting on community and individual behaviour and natural rural and urban landscape.

I draw on the history of my roots in the Democratic Republic of Congo as well as the irony of contemporary urban degradation masked as development. Through the recovery of waste materials such as inner tubes from vehicle tyres, industrial packaging and textiles combined with my use of paint and African fabric, I repurpose and reinterpret what others discard. Beyond the intentional recycling element of this process, the visual concepts I explore surface a range of the pertinent issues.

Additional sculpted objects are superimposed on these layered backgrounds, which I create as a foundational canvas. This is also a visual referencing of some of the many laborious tasks undertaken by women in my country, in order to make ends meet. I try to understand how the deterioration of natural and urban settings mirrors the visible rotting, displayed in the behaviour and habits of the population. Deprivation evidently continues to recreate further misery and desperation.

Although my work reflects a kind of beauty, it also describes the destruction of a place and a people where ethical values have been poisoned or fallen away, infecting human morality and dignity. The aftermath of several violent conflicts has created a nightmarish atmosphere where people relive those moments in an extreme state of vulnerability and resignation to this state of affairs.

My painted figures, always in silhouette, with their deformed limbs and precarious stances, twist and turn in such spaces. They evoke a sense of uncontrolled or dynamic movement captured in a disjointed moment as if their bodies are mid-execution of a questionable act. However, the internal versus external appearances and perspectives – what is seen in contrast to what is understood, becomes the site of re-imagination and unforeseen possibilities.”

– Patrick Bongoy

SOLO EXHIBITIONS

2019    ‘MATTER’, MOMO GALLERY, JOHANNESBURG, SOUTH AFRICA

2019    ‘REMAINS’, AVA GALLERY, CAPE TOWN, SOUTH AFRICA
2017    ‘WHERE ARE WE? WHERE ARE WE GOING?’, EBONY/CURATED, CAPE TOWN, SOUTH AFRICA

2012    ‘BA PAPER COLLECTION’, CULTURAL CENTER MUIKKA THEATRE, KINSHASA, DR CONGO

2012    ‘BINGOTO’, AT THE SPACE CROSSROADS OF COLLECTIVE SADI, KINSHASA, DR CONGO

GROUP EXHIBITIONS

2019    INVESTEC CAPE TOWN ART FAIR, EBONY/CURATED, CAPE TOWN, SOUTH AFRICA

2018    ‘FESO: A THORN IN THE FLESH’ WITH RONALD MUCHATUTA, EBONY/CURATED, CAPE TOWN, SOUTH AFRICA

2018    ‘EXPO CHICAGO’ WITH GALLERY MOMO, CHICAGO, USA
2018    ‘CAPE TO TEHRAN’ WITH GALLERY MOMO, CAPE TOWN & JOHANNESBURG, SOUTH AFRICA

2018    ‘SUMMER EXHIBITION’ WITH EBONY/CURATED, CAPE TOWN, SOUTH AFRICA

2017    1:54 CONTEMPORARY AFRICAN ART FAIR, NANDO’S & SPIER ARTS TRUST, LONDON, UK
2017    ‘FEAST YOUR EYES’, NANDO’S UK, SOHO, LONDON, UK
2017    ‘FROM THE HORSE’S MOUTH’, EBONY/CURATED, CAPE TOWN, SOUTH AFRICA
2017    ‘BRIGHT YOUNG THINGS’, ART AFRICA FAIR, EBONY/CURATED, CAPE TOWN, SOUTH AFRICA

2016    ‘WHAT IS THE MATTER’, EBONY/CURATED, CAPE TOWN, SOUTH AFRICA

2016    ‘THAT ART FAIR’, EBONY/CURATED, CAPE TOWN, SOUTH AFRICA

2016    ‘SUMMER EXHIBITION’, EBONY/CURATED, CAPE TOWN, SOUTH AFRICA

2015    ‘PRÉSENCE CONGOLAISE’, THE ALLIANCE FRANÇAISE OF CAPE TOWN, SOUTH AFRICA

2013    FASHION SHOW AT THE CENTRAL LIBRARY OF CAPE TOWN, SOUTH AFRICA

2013    ‘PLURAL DIMENSION’, WALLONIA CENTER, BRUSSELS, BELGIUM

WORKSHOPS AND EXPERIENCES

2013    WITH PERFORMANCE ARTIST MAURICE MBIKAYI, ARTICLE 15/ SYMPOSIUM AT THE UNIVERSITY OF CAPE TOWN (UCT), SOUTH AFRICA

2012    WORKSHOP CREATING PAPER CLOTHING OF ‘BA PAPER COLLECTION’

2012    WORKSHOP CREATIONS WITH DISADVANTAGED CHILDREN AND CHILDREN VICTIMS OF WAR BY THE FOUNDATION STAR OF CONGO (FONECO) “VOLUNTEERING”, DR CONGO
2012    ATELIER RESTITUTION COSTUMES DE VENT D’OUEST AVEC KAP’S KAPAMBU (CINÉASTE, ÉCRIVAIN) PARTICIPATION IN THE WORKSHOP ON PHOTOGRAPHY WITH ROËL JACOBS

2012    PERFORMANCE IN MAIN STREET OF KINSHASA, THEME: ‘THE AWAKENING OF CONSCIOUSNESS’, DR CONGO

2012    PERFORMANCE, COLLECTIVE SADI, KINSHASA, DR CONGO

2012    RESIDENCE, COLLECTIVE SADI, KINSHASA, DR CONGO

LATEST PUBLICATIONS

IPANAMA WRITING ‘MUCHATUTA AND BONGOY – A THORN IN THE FLESH AT EBONY/CURATED’ LIVEMAG.CO.ZA CAPE TOWN CENTRAL LIBRARY HOSTED A FASHION WEEK FOR YOUNG UNKNOWN DESIGNERS ALL AROUND CAPE TOWN.
LA PERDRIX N ̊015 P.3 ‘RESTITUTION OF ROOM: WEST WIND …’
LES DÉPÊCHES DE BRAZZAVILLE N*1478 P.10 ‘FIFTEEN PAINTINGS DONE AFTER A RESIDENCE
AT THE INTERSECTION OF PUBLIC SPACE SADI BE DISCOVERED IN THE FIRST SOLO EXHIBITION OF
THE YOUNG ARTIST VISUAL ARTS AT MOUNT’
LA TEMPÊTE DES TROPIQUES N*4385 P.12 ‘WORKS OF ARTS PRESENTATIONS OF PATRICK
BONGOY IN FAIR RESTITUTION: BI NGOTO’
ALERTE-PLUS N*1723 P.5 ‘ZOOM BINGOTO, ARTWORKS OF ARTIST PATRICK BONGOY COLLECTIVE
SADI’