Congolese painter, Zemba Luzamba (1973 -) interrogates and satirises social and political power structures in Africa. A contemporary realist, Luzamba’s paintings hover on the border of satire, at once appearing to mimic the colonial lifestyle of the postcolonial elites while simultaneously bringing it into question. Is this pure observation, aspiration or critique? Although born and raised in the DRC, Luzamaba moved to South Africa to pursue his career as an artist and this experience of migration has allowed him an intimate and sympathetic view of migrant communities, which has informed many of his works over the past 10 years. Situating his subjects in bold fields of colour which disassociate them from concrete spaces and times allows Luzamba to portray certain situations as universal ideas, giving the viewer the freedom to interpret these scenes in a way that is relevant to their own contexts. This, combined with his skilful observation of body language emphasizes the immediacy and proximity occupied by the viewer to his work.